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Sometimes leaving is not the only way to escape. Sometimes strength is not the same as courage. She doesn't know why she feels so different from the other girls at school Why the line between love and pain can be so hard to see Why making a friend may be the bravest and most terrifying thing she has ever done And what her daddy will do when he finds out. And he'll do whatever it takes to keep her with him. You need to surrender yourself to death before you ever begin, and accept your life as a state of grace, and then and only then will you be good enough.' At 14, Turtle Alveston knows the use of every gun on her wall That chaos is coming and only the strong will survive it That her daddy loves her more than anything else in this world. What emerges is a chilling portrait of what happens when people in power just ignore sociopolitical norms and behave as though the rules don’t apply to them.A TIMES BOOK OF THE YEAR * A GUARDIAN BOOK OF THE YEAR * A METRO BOOK OF THE YEAR `The year's must read novel' The Times `One of the most important books you'll pick up this decade' Harper's Bazaar `An outstanding book that could be this year's A Little Life' Guardian `You think you're invincible. She describes his policy of never paying his bills and digs into his not-so-secret life as part or New York’s gay subculture.
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Meeropol - a granddaughter of Ethel and Julius Rosenberg, who were executed for espionage largely because of Cohn’s efforts - exposes her subject’s lifelong hypocrisy throughout her engaging and infuriating film.
MY ABSOLUTE DARLING MOVIE PLUS
Director Ivy Meeropol’s documentary puts both of those data points - plus Cohn’s long association with Joseph McCarthy, a Republican senator from Wisconsin - into the context of a life spent pushing people around with minimal consequences. The late attorney and political puppet-master Roy Cohn is probably best known in 2020 for two things: for being a character in Tony Kushner’s classic, Pulitzer-winning play “Angels in America,” and for being a mentor to Donald Trump during the president’s rise to fame and fortune in the 1970s. It’s a keen essay about the deeper meanings of cinema, in the form of a fun, “Hey, remember the ’90s?” nostalgia-piece. Whether you like “Showgirls” or hate it - or even if you’ve never seen it - this doc offers a lot to think about.
MY ABSOLUTE DARLING MOVIE MOVIE
The doc includes pushback from critics who still find the movie moronic and exploitative and who still think Verhoeven and screenwriter Joe Eszterhas were a little too keen on emphasizing the degradation and abuse in their story of a Las Vegas stripper who’ll do anything to become a superstar.īut the copious clips from other Verhoeven movies help explain where “Showgirls” came from and the scholars and cabaret performers who’ve claimed it to be a misunderstood masterpiece make a strong case for what it has to say about American materialism and taboo sexuality.
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McHale doesn’t just let “Showgirls” fans gush for 90 minutes. If you’re one of those movie buffs who’ve never understood why some folks absolutely adore the kitschy 1995 erotic melodrama “Showgirls,” you must see “You Don’t Nomi.” Director Jeffrey McHale’s documentary rescues everything legitimately great about Paul Verhoeven’s sexually explicit camp classic while replacing the more tedious, trashy parts of the film with spirited and reasoned debate.